一场戏，一部电影和一个笑话

随着博的频率降低，每次总要等攒到足够多引得起兴趣的事情来谈论才会打开Windows Writer，所以今天要把三样东西和在一块说，先后顺序按重要性排列。

今天晚上是小西跟她老公第一次夫妻档倾情献演话剧《红色警戒》——纪念大话节成立5周年。我开始兴冲冲跑到安福路在门口还撞见三两黄牛叫卖，心想：不得了啊，这俩人的戏都有黄牛倒票了？！后来发现原来跑错地方了，释然。。。这个戏怎么说呢，很特别！因为是14个男人演，一个女人没有。。。小西开场前很谦虚的说：就看最后半小时就成，前面想怎么睡就怎么睡；其实她从来就不是个谦虚的人。。。但是这个戏的确是渐入佳境的，并且从前到后基本上都是全员在场，14个男人穿制服站那儿慷慨陈词，难怪有那么多姑娘来看戏啊。其实想说看到当年认识的这些人现在真正在一出一出的做戏，（还卖票！）挺羡慕的。今天演出结束站台上跟小西闲扯，她说你好久没站台上了吧，我说是啊。想想那种感觉，光一打脸上就什么都看不见，对着一片白茫茫念台词，一两个小时在台上跑两圈就过去了，怎么会不怀念。

@Kiss：这里插播一条，你听完要爱死小西了。我今天带着Justsmile MM去看戏，演完小西下来第一句话就问人家说：你知道他有女朋友的吧？我@#……（！%￥#@

然后是《He is just not that into you》，因为跟roomie约好要一起看所以买来好几个星期等到现在才看，我知道我应该不是Target Audience，我单纯是去看Johansson小姐的，但还是太让人失望啦。。。我翻过那本小书的前几页，写的挺有趣啊，为什么拍成电影就这么沉闷了呢？女A想追男A然后得到男B的帮助，最后女A跟男B幸福的生活在一起了；女C要跟男C结婚男C不肯跟女C结婚，最后女C决定跟男C继续同居不要求结婚了男C向女C求婚了。。。唯一有点点新意的就是Johansson小姐被个矮男追，但执意跟个已婚帅男搞婚外情，最后与已婚男决裂后（唯一没俗套到死的地方）没有回头跟矮男幸福的生活在一起，而是继续一个人不停的追追追。我臆想这也许是Johansson小姐自己的创意，因为她就长着这样一张脸：聪明透顶、让人着迷、可惜无法被满足。

最后我刚刚在沈宏非的Blog上看到个笑话，跟那个男人最专一的笑话异曲同工，跟大家分享下：

GEOGRAPHY OF A WOMAN
Between 18 and 22, a woman is like Africa : half discovered, half wild, fertile and naturally beautiful.
Between 23 and 30, a woman is like Europe : well developed and open to trade, especially for someone of real value.
Betwee n 31 and 35, a woman is like Spain : very hot, relaxed, and convinced of her own beauty.
Between 36 and 40, a woman is like Greece : gently aging but still a warm and desirable place to visit.
Between 41 and 50, a woman is like Great Britain : with a glorious and all conquering past.
Between 51 and 60, a woman is like Israel : has been through war, doesn’t make the same mistakes twice, takes care of business.
Between 61 and 70, a woman is like Canada : self -preserving, but open to meeting new people.
After 70, she becomes Tibet : wildly beautiful, with a mysterious past and the wisdom of the ages, an adventurous spirit and a thirst for spiritual knowledge.

GEOGRAPHY OF A MAN
Between 1 and 90, a man is like Iran , ruled by nuts.
THE END